How is the historical narrative constructed? Which discourses are predominant in this construction? How could a forgotten or silenced historical fact remain as a collective memory?
Appropriated pictures of books concerning a universal history of civilizations are painted in black, except for some isolated scenes of natural landscapes.
NOTES ON THE UNIVERSAL HISTORY Painting on book pages 130 x 230 cm 23 x 32 cm (each) 2018
Exhibition view of the solo show “Onde a Terra dobra” (2022)
Exhibition view of the solo show “Antes, e ainda agora” (2018)