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  • Works
    • installation
    • moving image
    • on paper
    • web art
    • outdoors
    • photograph
    • sculpture
    • soft-map
    • sound
  • Exhibitions
  • Publications
  • Texts
    • Essays / Authors
    • Writings / M. Camargo
  • About
  • Contact
  • Português
Peter W. Schulze / 2019

ATOPIC TERRITORIES

Spaces and places, as well as landscapes and territories, are determining themes in Marina Camargo’s artwork.

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Peter W. Schulze
Paulo Miyada / 2018

The long end of principles

“In the long run we are all dead”. This maxim from economist John Maynard Keynes’s […]

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Paulo Miyada
Paulo Herkenhoff / 2018

Marina Camargo, what is the point of a map with no words and no accidents?

An atelier in Porto Alegre in the neighbourhood of Rio Branco (named in honour of […]

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Paulo Herkenhoff
Eduardo Veras / 2015

OF MAPS IN RUINS

In a story as short as it is inspired, Borges recounts the map of an […]

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Eduardo Veras
Anne-Laure Amilhat Szary / 2014

LATIN AMERICAN BORDERS ON THE LOOKOUT: RECREATING BORDERS THROUGH ART IN THE MERCOSUL

Excerpt from the text published in the book Placing the Border in Everyday Life, edited […]

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Anne-Laure Amilhat Szary
Gabriela Motta / 2013

ON THE MATERIALITY OF REFLECTION

Landscapes have always been an uncontested topic of interest for the arts. They evoke our […]

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Gabriela Motta
Marcio Harum / 2013

DISTANT REFLECTION

With its remarkable exhibition journey, DISTANT REFLECTION presents us with a set of recent works […]

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Marcio Harum
Mario Gioia / 2012

RADIAL FISSURES

In Planisfério (Planisphere), Marina Camargo’s work orbits between its two main artistic thrusts: the attempt […]

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Mario Gioia
Cesar García-Alvarez / 2012

ACIREMA

In 1943, the same year he founded The Studio of the South (Taller del Sur), […]

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Cesar García-Alvarez
Aracy Amaral / 2011

BEYOND FRONTIERS

While looking for a guiding idea for the exhibition space at MARGS – in a […]

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Aracy Amaral
Guilherme Wisnik / 2011

A HIDDEN ORDER OF CITIES

1. The North American artist Robert Smithson made some important works in the late 1960s […]

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Guilherme Wisnik
Eduardo Veras / 2011

Interview

The advent of modern art in the mid-19th century is tied to an expansion of […]

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Eduardo Veras
Gabriel Menotti / 2011

THE MAP AS RAW MATERIAL

1.  Fractal satellite images, aligned to the circumference of the earth by GPS, seem to […]

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Gabriel Menotti
Gabriela Motta / 2008

THE SILENCE OF WORDS IN DRAWERS

In choosing the Centro Cultural São Paulo and its very busy library to compose this […]

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Gabriela Motta
Paulo Neves / 2008

DECONSTRUCTING AND RECONSTRUCTING PATHWAYS

There is reciprocal tension between what is written about a visual artist’s work and the […]

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Paulo Neves

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