A Certain Shade
ANTUMBRA We live in constant rotation, attracted by a force proportional to the mass and […]
Onde a Terra dobra
The exhibition Onde a Terra Dobra (Where the Earth bends) by Marina Camargo presents a […]
Correspondence / Edimilson de Almeida Pereira and Marina Camargo / Revista Presente
A conversation started in a “cloud”, the following exchange is established around the book Poesia+, […]
ABSOLUTE EXTREMES
The forces of production unleash historical events to which human beings are forced to react. […]
Notes on the representation of time and space
“Along with language, writing has thus become an archive of non-sensuous similarities or non-sensuous correspondences.”
ATOPIC TERRITORIES
Spaces and places, as well as landscapes and territories, are determining themes in Marina Camargo’s artwork.
Maps of space and time
Between two places European landscapes were common features of puzzles, wallpaper and home decoration in […]
The pampas and the sea (travel notes)
The Atlantic Ocean draws the Brazilian coast, the Uruguay River defines the contours of Rio […]
The long end of principles
“In the long run we are all dead”. This maxim from economist John Maynard Keynes’s […]
Marina Camargo, what is the point of a map with no words and no accidents?
An atelier in Porto Alegre in the neighbourhood of Rio Branco (named in honour of […]
7 ideas for an Essay on one order of things
Text written for the solo exhibition Ensaio sobre uma ordem das coisas at Goethe-Institut Porto […]
LATIN AMERICAN BORDERS ON THE LOOKOUT: RECREATING BORDERS THROUGH ART IN THE MERCOSUL
Excerpt from the text published in the book Placing the Border in Everyday Life, edited […]
ON THE MATERIALITY OF REFLECTION
Landscapes have always been an uncontested topic of interest for the arts. They evoke our […]
DISTANT REFLECTION
With its remarkable exhibition journey, DISTANT REFLECTION presents us with a set of recent works […]
RADIAL FISSURES
In Planisfério (Planisphere), Marina Camargo’s work orbits between its two main artistic thrusts: the attempt […]
BEYOND FRONTIERS
While looking for a guiding idea for the exhibition space at MARGS – in a […]
A HIDDEN ORDER OF CITIES
1. The North American artist Robert Smithson made some important works in the late 1960s […]
THE MAP AS RAW MATERIAL
1. Fractal satellite images, aligned to the circumference of the earth by GPS, seem to […]
THE SILENCE OF WORDS IN DRAWERS
In choosing the Centro Cultural São Paulo and its very busy library to compose this […]
DECONSTRUCTING AND RECONSTRUCTING PATHWAYS
There is reciprocal tension between what is written about a visual artist’s work and the […]